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Since there weren’t a lot of events in 2021, I tried to spend time on more time-consuming projects. I still made some quick stuff, but I didn’t feel that I churned things out.

This year’s projects behind the cut )
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I put on my new corset last night and took pictures.

1876 corset

I bent the busk in at the bottom, but I think I still need to bend it some more so it curves in under the bust and then back out over the belly.

1876 corset

I've got a little more spring in the lacing than I did when I made it because my arms were sore after spending Sunday moving non-functional cars around and I just didn't feel like pulling laces behind my back much. But I was in the mood to take the pictures and thought I ought to go with it while I felt the urge. It's been sitting around waiting to be photographed for a month already.

1876 corset

Timeline

Aug. 12th, 2021 05:38 am
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I finished the 1876 corset so I now have a pretty solid timeline of corsetry going from about 1680 to about 1945.

Corsets and stays - 1680’s to 1940’s

Unless I wear something out, I don't think I'll need to make any more stays or corsets. I would like to replace those Regency short stays some day, though...
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I had the day off work and not much on my to-do list so I spent a good deal of time working on my 1876 corset. I found that the busks I have are both 12", and this corset needs a 14" busk. I ordered one, but until it arrives I'm stuck. I got everything assembled except for the center front panels and put in the grommets and all the boning channels, again except for the center front. Now I just have to wait for the postal service. I could cut the bones, but it will be easier to manipulate the corset while putting on the center front panels if it's unboned.

Instead I'll hem a dress I mostly made last weekend then go back to the waistcoat until my busk arrives.
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I recut the De Gracieuse corset at 85% scaling, and it fit beautifully except for the bust gussets. I took almost an inch off of each gusset. This pattern was made for a woman much more buxom than I. Now I get to rip it all apart again so I can start sewing it together for real because it's not completely a mockup. I cut it out of drill so I can just sew the pieces together as the real thing.

I had always intended to make this corset with a heavy gold cotton sateen backed with drill, but I live in Arizona and decided that it would be wiser to go with a single layer corset. I'll do something fun like red for the flossing.
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Five years ago [personal profile] theladyrebecca made the De Gracieuse corset from 1876. Amy Galles, a friend of hers, had extracted the corset pattern from the original pattern sheet, blown it up to full size, and made a PDF of it. Rebecca was kind enough to share it with me. Here's her first post on her project.

I must have printed it out differently because with scaling set to "none" or "actual size" - yes, I tried two different PDF readers with the same result - I ended up with a corset that is 17" long at the center front and 29" around the waist. She came out with only 5.5" above the waist while I came out with 8" above the top of the hip gore, which is probably slightly below the waist. The hip came out to 40". The bust is hard to estimate because it was just massive on me, but it's probably close to 40" too.

Before I cut it I lined up the pattern pieces and measured where I thought the waist would be, and I came up with 26", which is only an inch over where I figured I would need it to be. That was not where we ended up. I guess I'm as bad at measuring corset patterns as I am measuring knitting! (And no, the mockup did not stretch. I checked it against the pattern after I tried it on, and if anything, I was a little inside the stitching lines when I sewed it together.)

I'm calling this mockup a failure. I'm reprinting at 85% scale, which should take about 4" off the waist and 2" or better off the length. Here's hoping that puts me in the right ballpark.
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I want to make a c. 1881 dress based on one at the Met, and I decided that I should make some of those half hoops to hold the bottom of the skirt out. I used the same pattern from Fashions of the Gilded Age, Vol. 1 that Jen Thompson used a few years ago.

I mostly made it per the pattern except that I didn't put buckles for adjustment on it; I just sewed the top to the bottom.

Late 1870’s Hoops - Front

Late 1870’s Hoops - Side

Late 1870’s Hoops - Back

When Jen made hers, she omitted the buttoned plackets in the front panels. I was curious to see what they'd do so I put them in. When unbuttoned, they let the middle hoops open up another couple of inches, but that's about it. I would definitely say that they're not particularly useful so if anyone else makes these, save yourself the trouble and don't bother with them.

Now I need to figure out whether I've got petticoats that fit over them nicely or if I need to make a petticoat or two before I get to start on the skirt. I'm thinking I'll spend this week on the 17th century waistcoat and then get back to sewing next week.
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2020 was an odd year, no doubt. I was lucky that I was able to go to the George Washington Ball in Williamsburg the week before everything spiraled into chaos. With nothing else going on, I got a lot more time for needlework than usual this year, and by summer I realized I was churning stuff out way too fast. I started working on things that take a lot more time to get a finished product like cross-stitching and knitting.

I made two things this year that I really love – an 18th century domino and a Victorian shawl. I'm happy with a lot of my other stuff, but those are just some of the coolest things I’ve ever made.

This year's projects behind the cut )
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It took me forever to get around to taking pictures of this again after the ones my son took turned out blurry. One of my daughters was willing to play photographer last week and took these for me.

I used the 1844 pattern from Corsets and Crinolines, and it fit very nicely. I narrowed the gussets but otherwise left it alone. I made it out of blue coutil and boned it with artificial whalebone except for the center front. I made a busk pocket, but I decided to put two pair of the thicker gauge 1/2" steel bones in channels at the center front.

1844 corset

It is not a compressing garment at all, though I suppose I could pull the laces tighter. It basically gives a snug fit that forms a reasonably solid foundation for a gown.

1844 corset

1844 corset

I tried on my mid-1830's dress over it, and it fit very nicely indeed. At least that tells me that I can use the pattern from that dress as a starting place for the bodice for an 1840's dress.
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I have fabric I want to make into an 1840's dress so I decided I needed a couple more petticoats. And then I got the brilliant idea that a faux horsehair petticoat was in order. (Take the word "brilliant" with a grain of salt.) So I made a petticoat out of hard-finish organdy. It was a bear. Normally I don't mind doing tucks, but with this fabric, it was a battle. I seriously considered quitting at five, but it didn't look right so I finished all seven. And this afternoon I realized that I'm not sure I've seen horsehair petticoats with tucks - there might be a reason for that. But now it's done, and I can do something more enjoyable.

1840’s organdy petticoat

It's got plenty of body, but I have yet to see how it does under a dress.

Chemisette

Jun. 25th, 2019 05:29 am
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I finally got around to making the chemisette to go with the 1850's dress I made last winter. It only took me four months to get around to it? And then it took two days to sew. Ridiculous.

1850’s Chemisette

It's cotton eyelet and based off the same pattern the basque was based off. Base patterns are the best. It pins closed at the neck and ties at the waist. Now I just have to get worked up enough to put it all on and take pictures.
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I have now officially made yardage of tatted edging. The piece for the neck of my chemise was about a yard and a quarter. I really should stop posting about when I think I'll finish things because I often seem go to on a tear and knock it all out shortly after I do. So now the chemise is much prettier with its edging of very simple tatting at the neck and sleeves.

Lace-Edged Late 1860’s Chemise

I had felt fairly confident about the edging being period just because it is about as simple as it gets for tatting, but I was still excited when I saw the pattern in a book published in 1895 called Tatting and Netting. The picture in figure 8 is what I made. It also amuses me that the method I was taught is the same method described in the book as a "modern method."

Lace!

Aug. 3rd, 2018 11:47 am
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I should post about Costume College and how much fun it was, but this is turning out to be a very busy day so you get a picture of the first tatted edging I've put on a garment instead.

First Tatted Edging

I got a lot more tatting done during classes than I expected so I'm 3/4 finished with the neck edging. At the rate I'm going, it will be done within the next ten days.
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I ended up doing a lot of cross-stitching this year, which made great inroads on my cross-stitch kit stash. Of course, that was at the expense of sewing, but I’m still pleased with what I finished this year.

My favorite thing of the year is my 1897 Harper’s Bazar ivory wool dress.
1897 Harper's Bazar Dress

The rest is behind the cut )

These are the current UFO's.
17th century knit garters: The first garter is 60% finished. This is a background or traveling project. They’re not going quickly, but they progress a little every week. I do expect to finish the pair by the end of 2018.
17th Century Knit Garters Progress - 1/2/18

Early/mid-18th century stays: These are really close to finished. I need to bind half the tabs on one side and put in the lining on that side. I ran out of binding and need to get some more.
Mid-18th Century Stays Progress - 12/30/17

“Southern Belles” cross-stitch: This is barely started. I started it to have a hand-sewing project to work on at any given moment, but then I started my new stays right afterward, which gave me a hand-sewing project. I expect this one to be a very long term project, like may not finish in 2018 long term.
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I finished off the petticoats for my 1830's underwear, and I tried it all on last night. Sorry, no pictures. I think the silhouette is pretty good, though I still need to make sleeve puff things before I do the dress. I did find that I need to add just a little boning to my 1820's stays to be able to wear them for the 1830's. They bunch up a bit at the waist, which is fine for the 1820's with its raised waist, but by the time the waist is back to the natural waist (or really close to it) in the 1830's, it's not going to work. Rather than making new stays just for the 1830's, I'm going to add bones at the center back and possibly on the side seams.

Now the big project for the weekend is kitchen painting. We'll see whether I get time to start the turn-of-the-eighteenth-century mantua over the weekend or not.
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Well, I cast on another pair of 18th century stockings. They're yellow fingering weight wool on size 4/0 needles. From what I've read, they should probably be sport weight wool, but I'm making a concession to the Texan climate.

At least as I add this project, I am taking others away. I finished one of my 1830's petticoats a couple of days ago and should finish the second one tonight
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I finished off a crinoline bustle last night.

Crinoline Bustle

It's made following instructions from an 1868 issue of Harper's Bazar. I substituted cotton crinoline for horsehair and a tape at the waist for the cord at the waist, but otherwise I think I followed the instructions pretty well. The HEARTH website has all the instructions online, but they can also be found on page 476 of Reconstruction Era Fashions.

I think my project explosion of a few weeks ago has now been largely resolved. I'm down to the 1912 vest, which is on hold until I order more yarn, the pineapple bag, and a Regency shortgown. It's been nice doing a few quick and easy projects because my next project will be a set of c. 1700 stays.
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I feel that I have accomplished quite a bit lately.

I've functionally finished my 1910's corset and am almost halfway through knitting the lace for it. I've nearly finished a petticoat using instructions from a dressmaking book published in 1916. It just needs a hem, which I'm hoping to get to tonight. Then I'll just want one more petticoat to finish the undergarments for my 1916 dress.

I've selected a dress that I want to make for the 1910's event this summer. It's the pink evening dress, but mine will be green. (I'm sure that's the shock of a lifetime.) I've done a little thinking about construction, and I'll probably post my thoughts later as a sanity check.



I've finished knitting one 18th century mitt and cast on the second. They're such completely mindless knitting, and it's always good to have mindless knitting on hand.

I've even managed to do a couple of alterations that I've been meaning to for at least a year now. I cut down the neck on my robe a la piemontaise and cut down the top of my mid-19th century corset. I hate altering things that are finished so this is quite an accomplishment.

Yes, I meant to start every paragraph the same way.

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