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I thought I had everything I needed to make a new 1890's corset back in January so I mocked up and started working on the 1890's corset with elastic panels from Norah Waugh's Corsets and Crinolines. I don't think I really made any changes to the pattern. I had to order a busk and some boning tape, but other than that, it was all from my existing supplies.

The pictures are not great. I put it on really quickly and didn't make sure that the lacing gap was even before I took the pictures. I need to unlace the corset and knot the strings at the bottom of the bust so they don't pull too tight there, which is something I nearly always need to do. I also found that you have to be a bit careful about how you pull the bottom part of the lace because the elastic will be happy to stretch and make the gap really narrow at the bottom. I will be curious to see if after wearing it for hours the laces will want to work their way tighter at the bottom and a little looser at the waist. Of course, the top part of the lace will presumably keep it from doing that too badly.

It's coutil with a mix of steel and synthetic whalebone. I've got a bunch of steel bones in a box, but lately I've been using synthetic whalebone for practically everything so I thought I should use up some of the steel bones. I used steel for every channel I had a good size for and filled in the rest with plastic.

1890’s corset with elastic panels - front

1890’s corset with elastic panels - side

1890’s corset with elastic panels - back
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Why is it so hard to get worked up about taking pictures of things? I now have a 1901 split skirt and bicycling sweater, a 1919 cape sweater, an 1890's corset, and a few silk 1930's and 40's undergarments that are finished that I'm struggling to get worked up to taking pictures of. Goal for the weekend: Put on and take pictures of the 1901 bicycling outfit.
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In an effort to be better about working from the stash, I wanted to see how long I could go without buying any sewing supplies, starting at the beginning of the year. The answer turned out to be seventeen days. I mocked up the 1890's corset with elastic panels from Corsets and Crinolines, and it fit almost perfectly. But it needs a longer busk than I have and more bone casing tape than I have so I ordered the missing parts Friday night. It's still a mostly stash project.

It's still up in the air whether I have enough yarn for the 1919 cape sweater. The first big piece took 3-1/3 hanks of yarn so I should have about 2-1/3 left after I finish the second big piece. I hope that will be enough to knit the collar, belt, and lower edging, but that lower edging will probably take a whole ball itself. Those are going to be some very long rows. (The pattern calls for 640 stitches, but that number doesn't make sense with how they said to pick up the stitches. It'll be at least 760 stitches.)
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I went to a Hallowe’en themed wedding last Saturday and wore my 1910 evening dress. We ended up back and forth between inside and outside a lot so I ended up carrying the train a lot. I’m glad it got another wearing because I do like it quite a bit. I also got to use a fan that I bought at an estate sale a couple of months ago. I had waffled on buying it, but some of the flowers painted on it were an excellent match for this dress so that worked out quite well.

CostumeCollege July 2022

Monday the band parents did a trunk or treat for the kids after practice. It was in the 40’s out so I wanted something warm. I finally wore my 1870’s gray velvet mantle. [personal profile] marianme took pictures of it in Tombstone, but it was really too warm to wear it that day so this was really its first wearing. I also finally wore the 1890’s knit petticoat I started making back when I lived in Virginia and finished in Houston. It took eight years to wear it! I wore my 1890 barrister’s wig knit hood too. That I’ve only had for a couple of years. With all the new stuff I also wore my yellow striped linen 1881 dress again. I do like that dress. Unfortunately I completely failed to get a picture of the whole look.

1890 Barrister’s Wig Hood

Tombstone October 2021

1892 Knitted Petticoat

Tuesday it was 7:00 by the time I got home from dropping the girls at a friend’s house, which was too late to want to start donning a costume so I didn’t end up dressing on Hallowe’en itself.

Timeline

Aug. 12th, 2021 05:38 am
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I finished the 1876 corset so I now have a pretty solid timeline of corsetry going from about 1680 to about 1945.

Corsets and stays - 1680’s to 1940’s

Unless I wear something out, I don't think I'll need to make any more stays or corsets. I would like to replace those Regency short stays some day, though...
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Things have been busy lately. Among the Jane Austen Festival, the beginning of school, and Costume College, life has been busy. I haven't done any actual sewing in weeks except for tacking on a neck and sleeve ruffle for someone before the gala at CoCo. I have done a fair bit of knitting, though. I finished a plain 18th century stocking on the way to Louisville and started a tatted bit of lace for a collar for an 1880's dress on the way back from Louisville. I started the mating stocking while driving around Louisville. In LA I finished the first pass at the tatting and started the second pass of five. I've done a bit more of it now, but I'm still working through the second pass. (I only worked on it the first couple of days I was back from LA.) Today I finished the first of a pair of late 19th century openwork stockings. I'm going to wash it and block it before I cast on the second stocking because I think the odds are about 50/50 that it will end up shrinking too much. I really hope it doesn't.

I've been struggling to get back to my cross-stitching piece. Usually when something is 98% done, I can't wait to finish it off, but I'm fighting myself on this one. The piece has been a motivational struggle all along, which is why I'm on month 20 of working on it. I finished the actual cross-stitching part the weekend before going to Louisville, but it took until this Thursday for me to start the outlining. Part of it has been a lack of time, but you know the going is tough on a project when knitting a stocking sounds more interesting.

As so often happens after a big costume event, I've got a small pile of alterations and the like that I want to do. Most of it is trivial - I need to shorten the suspenders on my 1930's girdle and shorten some bones in my 1910's corset. I also need to check whether the center back bones on my early 18th century stays broke. They looked a little funny when I was putting the stays on last Sunday, but I forgot to look at them when I took them off. Not something found at CoCo, but I need to shorten the 1850's chemisette I made this summer. I did a poor job of judging where the waistline is on the pattern piece (yes, I know it should be marked on the pattern, but it's not) so I made it too long in front.
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Another catch-up post:

Last fall I made a chemise based on one of the patterns in one of Frances Grimble's books. It was the Tucked Chemise with Heart-Shaped Yoke from 1883 on page 89 of Fashions of the Gilded Age, Vol. 1. It was not a roaring success. The pieces didn't really fit together right so I ended up having to redraw one of the top curves and make up the sleeves on the fly. Maybe I should have eased them in more or something, but I couldn't make them come out right. So it works, but it's definitely not my favorite thing ever.

1883 Chemise
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I don’t really have any grand over-arching remarks, but I’m pleased with the things I made this year. It was a small year for events – only four: living history days at the Tucson Presidio, the George Washington Ball in Williamsburg, Costume College, and a Victorian Christmas ball in Mesa – but maybe that helped me to make a few things that I actually wear in real life. I hope 2019 will have more events.

January:
Mid-18th century stays
1740s Stays - Front

The rest of the year is behind the cut )

Putting this together has made me realize that I’m actually rather in arrears on posting finished projects so I’ll have to put some effort into that over the next few weeks.
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I finally took a picture of my tatted garters being worn. They worked quite well - no slipping stockings through an evening of dancing, some of it quite energetic.

1895 Tatted Garters
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I finished my tatted garters yesterday.

1895 Gold Silk Tatted Garters

They're from a pattern in Butterick's Tatting and Netting published in 1895. The tatting is done in gold silk beading cord. I substituted modern elastic for the silk elastic called for by the pattern. They're fastened with hooks and eyes and have taffeta ribbon bows. One of the ribbons I got at Costume College turned out to be a very good match for the beading cord.

I made the tatting about 1" longer than the circumference of my leg just below the knee to allow for stretch when putting them on, and I'm glad I did because weaving the elastic through the tatting took up a little length.
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I finished the tatting for the first of my 1895 tatted garters. It still needs elastic, hooks and eyes, and a bow, but the tatting came out pretty well for my level of experience.

Tatting for 1895 Garter

I'm more than halfway through the second garter now. It's going a bit faster than the first one, which is no surprise. My goal is to do two chains and rings a day and have the pair finished by Thanksgiving.

Bustle

Aug. 23rd, 2018 05:56 pm
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I made an 1880's bustle over the weekend. It's View D of the Laughing Moon pattern. I goofed and felled the side seams the wrong way so all my hoops are about 1/2" shorter than designed and the line on the side isn't so smooth, but it feels much sturdier than the old petticoat with steels. I salvaged the steels from that for this so there's no going back!

1880’s bustle
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This ended up seeming to be a year of little pieces more than full garments, though I did make costumes from the skin out for the 1690's and 1910's. I did a lot of knitting this year. One of my goals for the year was to do better with my hair for events, and I think I succeeded. There were some hairdos that I was very proud of. I got to go to a lot of events in different periods and had some opportunities to wear things that I had never really gotten to wear. One of the best parts was getting to meet a couple of LJ friends in real life in July.

I finally made the Le Baiser dress I had been planning for years.
Le Baiser

The rest is behind the cut: )
atherleisure: (reader)
I finally took pictures! I've got the lace-trimmed petticoat and the 1870's Le Baiser dress.

Boring thing first: the petticoat
The upper part of the petticoat is from a pattern in Fashions of the Gilded Age The bottom is a flounce three yards in circumference. I found a museum piece* with nine ~1/4" tucks and an eyelet edging and used that as my inspiration for the flounce. Mine has hand-knit lace instead of eyelet.

Petticoat with Tucks and Lace - Front

For reasons that I have completely forgotten, I put ties on the waist of this petticoat instead of a button and buttonhole. I got it from somewhere, but I really do not remember where. It's a little annoying to do up but not terrible.

Anyway, I figure it's appropriate for not only the natural form period when the pattern was published but also the years after the turn of the twentieth century. I think it will be appropriate as far into the 20th century as hems brushed the floor.

It makes me happy because I have a petticoat with hand-knit lace. Not only hand-knit lace, but hand-knit lace from a period pattern. That definitely makes me feel good about my costuming self.

*I tried to link to the webpage in the Met instead of Pinterest, but the Met site kept giving me errors so you get a Pinterest link.
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1. I finished my bonnet for the tea Saturday. It came out well, and I'm going to ask Kaycee to take pictures of it at the tea. She's usually quite obliging, and she takes excellent pictures.

2. Speaking of excellent pictures, I'm very lucky to know people who are willing to take good pictures of my work since I'm a lousy photographer. So thanks to [livejournal.com profile] jenthompson, Kaycee, and Liz. Speaking of Liz, I've got some pictures she took the last time we were in Williamsburg that I want to share. They're the first good pictures of my curtain-along sacque.

3. I made an adjustment to the ribbon corset mock-up, and I'm happy with it. I have all the materials so I'm ready to go with it. I don't think it will be my next project, but it needs to stay near the top of the list.

4. Last night I made the changes to the paper pattern for the 1910's corset pattern that I mocked up a bit ago. I have all the materials for it so I should be starting on it shortly. (Unless it counts as already started because I've already knit a few inches of lace for it!)

5. I've scaled up a pattern draft from 1918 for combination underwear so I'll probably work on that in parallel with the 1910's corset.

6. My new 18th century mitts are progressing. I've gotten to the wrist of the first one and have started widening for the hand.

7. I still haven't gotten around to taking pictures of the petticoat with the knitted lace or the 1870's dress. I have high hopes of doing so this weekend.

Tonight is the girls' school program so I don't know whether I'll get much time to sew, but I'm hoping to find time to cut out the combinations and block the lace I've knit so far. Then I'll be able to estimate how many pattern repeats of lace I'll need for the corset.
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The Le Baiser dress is finished...I think. I need to put it on and make sure, but I think it's finished. I need to put it on to get pictures too. Then I need to find an event to wear it to.

The last bits finished were the collar and cuffs, which is as it should be, right?

"Le Baiser" Collar and Cuffs

Now I'm working on finishing a late 19th century petticoat - the one with the knitted lace. I'm making up the flounce, and I've finished the tucks and am about halfway through whipping on the lace. Then I'll just need to sew the flounce to the main body of the petticoat, and I'll be finished with my 1890's underwear. Then I'll be down to just my mitts in progress. That won't last long, but I haven't quite decided what my next project will be.

Petticoat Flounce

About a week and a half ago I went to an "Antebellum Tea." I met up with some local costuming acquaintances there who were kind enough to invite me, knowing that it was close to my house and that I've done a range of periods of costume. Richard was kind enough to take a picture of me with all my winter woolies.

1860's Winter Woolens

Knowing that this was put on by some reenactors, I was a little concerned about going since I didn't know much about the crowd. For instance, would they look down upon me for not having truly period-correct glasses? Would they remark on the fact that my skirt's a trifle short because I really wanted to wear my button boots with their 1.5" heel rather than the shoes I hemmed it for, which only have about a 1/2" heel? It turns out that they're not overly particular, and I suffered no ill comments and perceived no deprecating stares. People were very complimentary of my sontag, and I think overall I was well-dressed for the event. And I got to wear my lovely wool 1860's dress. I love that fabric.
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I have three yards of hand-knit lace!

1880's Lace

It took 82 repeats of the pattern and something on the order of 500 yards of thread.

Now I guess I'll have to make up the flounce for the petticoat so I can finish my oldest UFO (started in August).

In other news, I started knitting new 18th century mitts and found that I apparently didn't fix the pattern the first time I made them. They were awfully big, even going down a couple of needle sizes so I ripped it all out and started over again. I guess I should fix that pattern...

And my 1870-ish dress is finished except for the collar and cuffs. It will take awhile to do all the rolled hems, but I'm pretty happy with how it's coming out. No, you don't get pictures because I don't feel like getting all dressed up. (More accurately, things have been very busy so I haven't had time to get all dressed up.)
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I've finished 73 repeats of my petticoat lace. When I blocked a big chunk last month, it came out to 1.5yd for 40 repeats so 80 repeats should give me 3yd. I'll finish knitting 80 and block it before I bind off just to make sure I've got the whole 3yd. I've definitely gotten faster than one repeat per hour and now know the pattern so well that I can read a book while knitting except that I have to look for the k2t and psso bits.

It sounds like I'll be swatching those new mitts quite soon!

I have the ribbon for my hood so I should be able to finish it tonight. And my dress is close to done except for the collar and cuffs. I have half the trim sewn on and half of it pinned on. The collar and cuffs will take awhile since they have to have rolled hems, and I don't do those quickly. Then I baste the skirt to the bodice and put on a few hooks and thread eyes and tack up the skirt draping, and it will be done. It will take awhile, but it feels like it's nearly finished.
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I've given myself a couple of half-days off to do as I please this week. Some of that time was spent on my early 1870's dress, which is now all cut out. I've also sewn up the skirt and sleeve seams. Now I'm at the point where I have to do ironing and handwork - the hooks and eyes, the false seams on the bodice back, setting the waist, etc.

I started a knitted 1856 opera hood, and I finished the sixtieth repeat on my petticoat lace. That makes me 75% finished with it! Of course, since the hood is new, I want to work on it right now, but I'm trying to be good and save it for when I'm reading. (Naturally, when I finished Tied up in Tinsel yesterday, I chose something that I don't have to hold open so that I could knit while I read it.) I've got about an inch finished out of the big 7" piece. It seems like it will be a fairly quick project. I still have to pick a color for the ribbons, though, and I am quite undecided. I could do red or green or gold or blush...

And a random observation: Vintage sheet music is cool, but it's obnoxious to have to come to a complete stop at the page turns so that you can carefully turn the page.
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I pressed the pieces for my sweater. It's amazing how different the fabric is after pressing. While I was pressing, it occurred to me that all three 1930's knitted items I've made have called for lightly pressing the pieces under a damp cloth. I guess it was a popular finish at the time. Now the shoulder seams are sewn, I've picked up the stitches around the neck, and I'm about 1/4 of the way through the neck ribbing.

Sunday night I blocked another thirty repeats of my lace, and I measured it yesterday. The forty blocked repeats work out to 1.5yd. Since I'm going for three yards, I'll only need to do about 80 repeats instead of 100, which will save about 20 hours of knitting. I've done 51 so I only have about 30 more!

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